Behind the scenes at Radio City Music Hall Under the motto “Rock am Ring,” the Rockettes head to the booth on Wednesday morning to present a well-choreographed number that has never been seen on stage before. We really show that here, “says one of the costumed dancers in the scene” Cabin Change. ” Behind the scenes of a changing booth and behind the stage of another scene in Radio City’s Music Hall, where the Rockettes, along with a cast of dancers from the New York Philharmonic Orchestra, put on makeup for a performance of “A Night at the Opera” in a better – than usual – number. On stage on Wednesday morning, they showed what it’s like to go from stage to stage and from stand to stand. The costumes of the Rockettes are a sophisticated matter and are very hard to pull together as much as their dances. Read below for more!
A blue and yellow ribbon with the names of the dancers helps the women to quickly find their assortment of dresses, headgear, and shoes. Wooden soldiers “caps hang on the walls, while small wardrobes for soldiers are built into the corridor. In the wardrobe, costumes and a blue – and yellow – the ribbon on each dancer’s name helps them quickly find their range of clothes, headgear, shoes, and more.
A costume as elaborate as the Rockettes can require two dressers to help a dancer slip into a dress, and intricate costumes can be found in fast-changing rooms. Harvey Richardson, a former Rockette who was one of the backstage dancers, has a story to tell below about his experiences in the dressing room, as well as a look at the costumes of some of his dance colleagues.
Here’s everything you need to know about the sparkling looks that took place on stage at Radio City Music Hall in 1933, from the Rockettes “costumes to the costumes and more.
The Christmas lighting outfit was the first of its kind to debut this year, and the Rockettes wore lights and antlers on the sleigh ride in 1999. To add even more sparkle to the Christmas lighting look, costume designer Emilio Sosa attached 572 Swarovski crystals to each shoe, which had to be glued by hand. He also made sure the shoes were painted to match the skin tone of the skirt they were wearing.
To turn the lights on and off, each Rockette activates an electrical switch on their jacket to turn them on or off – meaning they have to adjust their movements and numbers.
They first appeared on stage in 1933 and have remained pretty much the same ever since, but they change quickly. The hats are about two – and – a – half feet tall, the pants are designed to not bend, and red cloth, Vaseline, and double tape stick to their cheeks during each number. During the season 30,000 of these clothes are passed around, so they need to be replaced. As wooden soldiers in dance, the Rockettes have 78 seconds to transform themselves into the “New York Christmas,” which premiered in 2008.
Many of the Rockettes “shoes, including the 12-day Christmas costume, have special microphone boxes drilled into their heels to amplify the hookah sounds heard from the audience and played in real-time. Thirty-six of them will be on stage at the same time, and each Rockette must be 5 ft 6 in. The costumes have shown here consist of three different colors: one half is green, the other blue and the other red.